Exhibition on view through July 3, 2027

Case Study on the function of permanent collections and contemporary exhibitions

Care Has Memory: Creative lineages from Africa

Princeton University Art Museum

Curated by Dr. Perrin Lathrop, the inaugural African Art Curator of the Princeton University Art Museum, I review the exhibition and apply my specialized knowledge of the artists included to develop a personal archive informing on curatorial and artistic practices that encounter material culture, identity, ritual, and historical context as the foundation for rich interpretation of audience impact in gallery spaces.

Art Historical Contibutions

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Archive Development

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Curating through Care

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Art Historical Contibutions · Archive Development · Curating through Care ·

Data Collected from Exhibitions

  • Geometric drawing of an outline square with sections divided by vertical, horizontal, and diagonal lines.

    Checklists & Documentation

    Exhibition installation photos, photos of individual works int he gallery, and documenting programming through notes and media content.

  • Geometric drawing of an outline square with sections divided by vertical, horizontal, and half circle lines.

    Publications & Writing

    Catalogs, press, and wall text are different access points into the recorded descriptions of any one work, and through that, it can develop a narrative

  • Geometric drawing of an outline square with sections divided by vertical, horizontal, and circle lines.

    Provenance History & Oral History

    Writing from the artists’ voice is easiest when speaking to them directly. Researching the biography informs the cultural context and shifts the gaze, which can affect the work's reception.

  • Geometric drawing of an outline square with sections divided by vertical, horizontal, and diagonal lines.

    Relationships

    Relationships across:

    • publications

    • exhibitions

    • articles

    • series collections

    • public programming

    • Art Fairs, pop-ups, and auctions

Other Exhibitions included

Clay Has Memory is the most recent exhibition, but it has been an ongoing study for some time:

  • Simone Leigh with the ICA Boston exhibiting at the US Pavilion in 2022 for the Venice Biennale

  • Body Vessel Clay, curated by Dr. Jareh Das for Two Temple Place (London, UK) and the Ford Foundation (New York, NY) between 2022-2024

  • Magdalene Odundo in Cambridge

  • Magdalene Odundo was also included in the 2022 Venice Biennale as well as a Salon 94 (New York, NY) solo exhibition, and a Gardiner Museum exhibition (Toronto, Canada)

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Reviews and Reflections | How Case Studies are translated into essays

Memory, Collection, & Curation

Essay 1

Essay 2 | Permanent Collections